DESCRIPTION
Destroyer is structured around that first time behind the wheel of a hot rod. The fat, charging "Living After Midnight" riffs of opener "Future Shade" is, according to McBean, "Straight outta the gates. FM radio cranked." He ain't kidding. The song, and all of Destroyer for that matter, seems to exist at that crucial nexus of the early-to-mid 80s Los Angeles when a war between punk and hair metal was waged. Black Flag's My War tried and failed to keep the peace. But in the trenches, some hybrid ghoul was beginning to form in bands like Jane's Addiction and White Zombie. The heavy extended player "Horns Arising," with it's Night Rider vocals and golden, climbing Blade Runner synths, is a fill-up at a desert gas station just in time to see a UFO hovering near a mesa. Other songs, like the serpentine "Boogie Lover," are a cruise down the Sunset Strip. You pull into The Rainbow Bar & Grill to take the edge off - doesn't matter what year it is, Lemmy's there in flesh or spirit. To continue the teenage theme, there's also a sense of youthful discovery to these cuts - "High Rise" is a foray into Japanese psych, rounding the bend to a careening, while "Closer to the Edge" feels like falling in love with Yes (Remember how good they were for a minute there in your youth?). "Licensed to Drive" would easily be the most exhilarating and dangerous ripper on a titular film's soundtrack, a dose of heavy right before the muscle car's wheels fly off going 100 mph on the freeway. Shacked up in his rehearsal space, McBean found an old chair in an alley, spray painted Producer on the back and pressed record. Friends from the endless rock'n'roll highway were invited over and 22 songs were brought to life. While some were laid back into shallow graves to dig up once again at a later date, the remaining skeletons were left above ground - given organs, skin, eyes, and the opportunity to grow their hair real long and greasy. Some of these zombie hesher jams were sent on a journey to Canada where longtime band member Jeremy Schmidt, slipping on the Official Collaborator satin jacket, had at them with his legendary synth arsenal. As he added long owing robes, sunglasses, driving gloves and medallions, the undead songs began to transform into the new breathing creatures that make up Destroyer. Schmidt's work with these songs turned out to be the transformative glue for this new era of Black Mountain.

Tracks/Credits
1 Future Shade
2 Horns Arising
3 Closer to the Edge
4 High Rise
5 Pretty Little Lazies
6 Boogie Lover
7 Licensed to Drive
8 FD72

• Format: Vinyl
• Genre: Pop

As described in our Privacy Policy, we collect personal information from your interactions with us and our website, including through cookies and similar technologies. We may also share this personal information with third parties, including advertising partners. We do this in order to show you ads on other websites that are more relevant to your interests and for other reasons outlined in our privacy policy.

Sharing of personal information for targeted advertising based on your interaction on different websites may be considered "sales", "sharing", or "targeted advertising" under certain U.S. state privacy laws. Depending on where you live, you may have the right to opt out of these activities. If you would like to exercise this opt-out right, please follow the instructions below.

If you visit our website with the Global Privacy Control opt-out preference signal enabled, depending on where you are, we will treat this as a request to opt-out of activity that may be considered a “sale” or “sharing” of personal information or other uses that may be considered targeted advertising for the device and browser you used to visit our website.