In the 1970s, Herbie Hancock’s “Crossings” was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …

Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s “Quasar” launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.

This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

• 180 gram LP w/ Standard Sleeve
• Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason

• Released: 8/28/19
• Format Detail: LP Black
• Format: Vinyl
• Genre: Jazz

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