Tortured and broken, Crowhurst is a shapeshifter in extreme music; from noise to drone, sludge to black metal. Each piece of music is it's own distinct page in Jay Gambit's story, working as an exploration and expression of pain. With contributing pieces from scores of renown artists, Crowhurst stands as a testament to his ability to weave ethereal, engaging soundscapes without falling into the trap which befalls so many prolific artists - predictability. Over 75 releases, many of which are singles and splits with other established artists, yet each body of work remains a dynamic, disorienting exploration unlike the last. His music weaves influence from varying genres across decades, while being shaped by his love affair with cinema and documentaries. Every release tells it's own story, with each song standing as it's own character unfolding. With 2 performances at Roadburn 2019 and a flock of eager fans, Crowhurst shines as a jewel in the black metal and noise community. Beginning as a strictly experimental project, Crowhurst grew to encompass various collaborations with artists and producers such as Jack Shirley (Deafheaven, Oathbreaker), who engineered & produced 2015's "I". The 2016 follow up, "II" was recorded in Manchester, England and produced at Machines With Magnets (The Body, Daughters). Crowhurst finalizes their trilogy with "III"; co-written & performed by Andy Curtis-Brignell (Caïna) and recorded with legendary producer & engineer Kurt Ballou (Converge, Full Of Hell) at God City Studios in 2018, and is Crowhurst's Prophecy Productions debut. The effort features guest appearances from Tony Wakeford (Sol Invictus, Crisis), Ethan Lee McCarthy (Primitive Man), and Tara Vanflower (Lycia, Type O Negative) amongst a handful of other notables. "III" is a truly staggering record. Brutal and laced with pain, a new melodic structure unfolds itself with each listen. Something about this record never quits, and as a listener, there is no way to peel yourself away from the sonic, multifaceted fabric. Black metal elements blend seamlessly with Crowhurst's trademark harsh noise, without sacrificing melody, as each track speaks with it's own distinct voice. Heavily influenced by film, Gambit cites movies, including Oliver Stone's iconic Natural Born Killers, as having a major imprint on the record itself, while also pulling from classics television such as The Twilight Zone. The album's final track, 'Five Characters In Search Of An Exit' being named directly after an episode of the timeless series.

As described in our Privacy Policy, we collect personal information from your interactions with us and our website, including through cookies and similar technologies. We may also share this personal information with third parties, including advertising partners. We do this in order to show you ads on other websites that are more relevant to your interests and for other reasons outlined in our privacy policy.

Sharing of personal information for targeted advertising based on your interaction on different websites may be considered "sales", "sharing", or "targeted advertising" under certain U.S. state privacy laws. Depending on where you live, you may have the right to opt out of these activities. If you would like to exercise this opt-out right, please follow the instructions below.

If you visit our website with the Global Privacy Control opt-out preference signal enabled, depending on where you are, we will treat this as a request to opt-out of activity that may be considered a “sale” or “sharing” of personal information or other uses that may be considered targeted advertising for the device and browser you used to visit our website.